Sunday, April 17

Street photography and the Fujifilm FinePix X100

Is the eagerly awaited X100 a suitable tool for street photgraphy? Probably not, in its present state. In short, it seems that the autofocus isn't up to speed and the manual focus poorly implemented, with several turns of the focus ring required to get you from near to far.

Nigel Cheffers-Heard on this Flickr thread commented (my headings)

Autofocus
"The autofocus is leisurely to say the least, and for candid photography is a nonstarter (by the time it has locked on, the subject has seen you and the moment has passed).

Manual focus
"One alternative is to have the camera set in Manual Focus, and to momentarily press the AFL button to achieve focus. Frankly, too fiddly and time wasting. And the gearing! But more of that anon...

Another alternative is to set the focusing distance manually using the focusing ring and the scale on the rear screen. Sadly, the implementation of this is nothing short of disastrous. The actual linking between the focusing ring and the lens focus travel is electronic. So presumably you can have any “gearing" you choose to program in. For reasons best known to themselves, Fuji have programmed this so that to focus from infinity to minimum focus takes three complete turns of the focusing ring. Three turns!

I have to ask if they let any serious photojournalists used this camera during the alpha testing phase, because I cannot be alone in thinking this is not a good decision."


Street photographer John Goldsmith has written a detailed review on Street Reverb Magazine, and has similar misgivings (my headings):

Autofocus
"the autofocus is reasonably fast though not nearly as quick as my 5DMkII, even in great light. In short, I didn’t find the autofocus performance fast enough. In the case of the X100, the freezing EVF, the lack of a focus tool in the OVF, and the relatively slow autofocus, don’t leave any quick and reliable focusing options for speedily composing a street photograph. ...

Manual focus
"This focus ring, which seems to have been dipped in high-grade honey, can take as much as 5 full rotations to move to the opposite end of the scale. Fortunately, if I understand the mechanisms of the camera, the focus is electronic, or fly-by-wire, and this suggests that a firmware update could be an easy fix."

Tuesday, April 5

Format Festival in Derby, UK. Part 4: Monday

My last day at Format, and I bid farewell to the Kingsway Retail Park Travelodge at the crack of dawn. I have accumulated an array of portable food over the past few days – fruit and biscuits mainly – and the leftovers come in handy for a quick breakfast, as the hotel has no dining facilities.

The University is the main item on the agenda today – it is host to more than a dozen exhibitions, and is a little way out from the town centre. After getting the bus into town, I stop to study the outdoor Magnum display outside Quad in real detail for the first time. I get into conversation with a man with a camera who turns out to be Jack Simon – an excellent photographer whose work I have long admired online – who is exhibiting at the University.

Trudging out to the University – usually it would be a stroll, but my feet are still giving me gyp – I hear a Monkees song blaring out from a vintage clothes shop. Yes, them again. I pop into Vintage Romance to discuss the finer points of the Monkees career (including the experimental stuff) with the owner... She likes taxidermy.



I am tempted by these leftover chips but I had just eaten an egg, mayo and onion roll from The Cob Shop (awarded five stars by Derby City Council Food and Hygiene).



I spend about an hour at the University in the end – I wish it could have been much longer. The University is a very impressive modern building. Although a bit off the beaten track, the exhibitors generally have a lot more space here than at Quad. As well as Jack Simon’s pictures, of particular note are Andrew Glickman’s large subway pictures (within black frames but without glass – this seemed to be a great way to display prints), Alessandro Marchi’s large street landscape work, Stephen McLaren’s London work, and Laurence Stephens’s supermarket pictures. I chatted to Lawrence on the opening night, and he gets permission from the shop owners to shoot inside, but then takes candid close-up shots with a big SLR and flash, which must take a lot of nerve.

Then back to the town centre to see the In-Public show again, and then train station. I just make my 1 o’clock train.

UPDATE: Format is now officially over, although the exhibitions are still up at Quad and the Museum and Art Gallery according to the festival guide (please check before travelling!). The University shows are definitely no more.

Sunday, March 27

Format Festival in Derby, UK. Part 3: the opening weekend

Saturday
On Saturday, after critically reappraising the exhibitions at Quad with Joni Karanka of Third Floor Gallery fame, we buzzed off to see the photo exhibits at the Silk Mill aka Derby Industrial Museum. Unfortunately, this interesting museum, which hosts temporary exhibitions, faces an uncertain future after Format: ‘The Silk Mill will be mothballed for a period of time after Sunday 3rd April 2011.’ Ouch.



Next, onwards with Joni to Déda, a dance-focused performance space type building to view some more exhibitions, including pictures by Kate Hooper. After bumping into a succession of great photographers who I had only previously had contact with online, the afternoon was spent critically appraising the beer at Ye Olde Dolphin pub. Several photographers who had attended the University opening party the previous night were now suffering from the effects of over-refreshment, which made me feel slightly less bad about missing out on that event.

Sunday – you can’t go home again
On Sunday morning I had a wander down by the River Derwent. Very scenic, and a nice weir. There seemed to be dozens of lifebelts in the parks next to the river – in the water, up trees, but just about none in their designated positions.



In the afternoon I got on a train and took a look around Nottingham city centre. Like the daytrip to Birmingham, this proved to be a bit of a mistake… Again, I had hoped to take some photographs but I found Nottingham city centre uninspiring. I had been a student there in the 1980s, and it was nice to see the trams for the first time, at least. I remembered the Hockley area as being a slightly ‘alternative’ area of the city, centred around the veggie deli Hiziki (no longer there as far as I could see) and the radical Mushroom bookshop (definitely not there – closed in 2000) but it seemed less distinctive now.

With no inspiration for photography I embarked on what I knew would be a pointless and slightly depressing nostalgia-fest, visiting some old addresses and favourite haunts from ye olde 1980s, such as Russell’s bar, which turned out to be a pleasantish bar called The Orange Tree. Could have been much worse.

Further out in Lenton, I checked two old addresses – 10 Teversal Avenue and 128 Harlaxton Drive – expecting to find my blue plaques, but they were conspicuously absent. For one long, glorious summer at the Teversal address, we were graced with the presence of the-then Trent Poly photography student Nick Waplington, but even this remains unacknowledged by the blue plaque people.

Moving back in the general direction of the city centre, I passed by another old local, The Happy Return. The pub looked less than inviting, which reminded me of the old landlord’s cheery farewell at the end of the evening, ‘now fuck off to your trendy student parties’.



By now, my feet were giving me real gyp. In a sitcom-type scenario, I had left my shoes overnight on the radiator of my suite at the Kingsway Retail Park Travelodge and they seemed to have shrunk. I hobbled down through the upmarket Park area in order to rest my limbs at the Ye Olde Trip to Jerusalem pub.

Despite being a major tourist attraction (carved out of solid rock underneath Nottingham castle, etc., etc. see website), I was pleased to discover that the beer was pretty cheap. As I was nursing my half pint in the atmospheric surroundings, who should walk in with a pint of foaming ale but Micky Dolenz. Yes, your actual Micky Dolenz, out of The Monkees!

To be continued

Thursday, March 17

Format Festival in Derby, UK. Part 2: Friday

Warning: contains no Format content.

As I was at Format in Derby for several days, I thought I’d use the opportunity to take some pictures at other places in the east Midlands. On Friday, I rose early from the splendour of my suite at the Kingsway Retail Park Travelodge, got the bus into town, walked to the train station, and made the short train journey to Birmingham. I hadn’t been there for about 20 years.

Funny old day
It turned out to be what modern philosophers call a “funny old day”. I could see that Birmingham city centre is a modern, vibrant place but somehow we never really clicked. As I wandered round the neat retail zone and later a bit further out around the canals, cubey glass-fronted chain restaurants, pubs and glassy high-rise hotels I struggled to engage with anything at all, either photographically or emotionally. I began to pine for the messy bits of Derby I had seen out of the bus window on the way into Derby city centre that morning.

Where does time go?
Late afternoon I enjoyed a quick visit to the Ikon gallery, then popped into a canal-side pub/café with a great view, and ate a cheap and crap snack meal. Several hundred young people wearing Justin Bieber T-shirts streamed by. I had planned to get back to Derby early evening for socialising, etc., but having wandered so far from the train station, I then spent ages looking for an Internet café to check my emails. In the end, I arrived back in Derby at about 11. I don’t know where the time went. In short, I cocked up on Friday.


Back to Format proper tomorrow.

Wednesday, March 9

Format Festival in Derby, UK. Part 1: Thursday

I’m currently nursing a couple of very sore feet from just having spent 5 days walking around the excellent Format photography festival in Derby (plus some other parts of the East Midlands).

The theme for this year’s festival is street photography, “Right Here, Right Now: Exposures from the Public Realm”. Headline names include Bruce Gilden, Joel Meyerowitz, Miss Aniela, and an In-Public group show in which some of my humble photos are featured. The festival runs from 4 March until 3 April 2011.

As a sometimes journalist and writer, I was mindful of my responsibilities and took some notes over the Thursday to Monday of my visit, which straddled the opening weekend. However, reading through them now they seem to consist mainly of a list of things I ate, which in turn seemed to be mostly baguettes from the excellent Spar inside Derby’s new bus station. Hendersons Relish flavour Yorkshire Crisps and Spar’s own Jaffa cakes also feature prominently.

Anyway, rather than give a detailed account of the festival that I will probably never get round to finishing, I’ll just dive straight in and give a quick impressionist sketch of the few days that I was there.

Thursday – openings
After a frantic train journey up from Weymouth to Waterloo (late due to a fatality on the line) and then up to St Pancras for Derby I somehow arrived in Derby on time, and wasted no time in dumping my stuff at my hotel, the Kingsway Retail Park Travelodge.

Situated two miles from the city centre, the hotel is ideally located for the out-of-town PC World, Homebase and M&S Food, and has good connections to the city centre via the Mickelover bus that runs late into the night (£1.40). It was also the cheapest hotel I could find that didn’t have horrendous reviews on TripAdvisor. (Naming no names – Heritage Hotel – don’t drink the water.) I stocked up on some provisions at M&S Food, where all the beautiful people in Derby seemed to be shopping, and headed back into town for the In-Public opening.

The In-Public show looked great – the 20 members of the collective each had several pictures, all well displayed and arranged. Nick Turpin and David Gibson had done a sterling job for In-Public in taking care of the logistics over the long road to fruition of the exhibition. Nick had also invested a huge amount of time producing the In-Sight film, an excellent documentary featuring many of the In-Public members in conversation and photographing in situ. The documentary is being shown continuously during Format, and I’m sure it will run and run elsewhere.

The In-Public show is in the Derby Museum and Art Gallery, right next to the Bruce Gilden exhibition.


Bruce Gilden and Nils Jorgensen at the In-Public show.

Next, I moved on to the Quad building to view the exhibitions. What a fantastic focal point a modern, well equipped building like this is for the arts and for Derby. If only there could be one in every town and city. We can dream.

There are far too many noteworthy displays in Quad to mention them all. I’m sure Peter Marshall will be listing them all on his blog at some point. Ones that stuck in my mind were Dougie Wallace’s tram window pictures going up the stairs, the HCSP slideshow, and the Garry Winogrand slideshow of (to me) largely unseen colour shots selected by Joel Meyerowitz. The Winogrand was an unexpected bonus – as far as I could see, this was not even mentioned in the programme. The only minus point for the Quad displays is that many of the advertised exhibitions consist of a small number of pictures, so if you are going for, say, the Jeff Mermelstein you might be disappointed to find only (I think) four pictures. I suppose this is a consequence of having so many well known names in the Quad building (Kollar, Mermelstein, Griffin, Orville Robertson, Meyerowitz, Amy Stein, Brunelli, Lezmi for a start).

At 7.30 pm the brave ventured outside into the cold for funny and eloquent speeches by Brian Griffin and Joel Meyerowitz. Over the evening I bumped into David Gibson, Peter Dench, Kate Hooper, Nils Jorgensen, Laurence Stephens, Andrea Hadley-Johnson, Kate Kirkwood, among many others. At one point I found myself gushing to a suited stranger about how friendly the locals and organizers were and how great the Festival was - the stranger turned out to be Format Co-Director Mike Brown, so it was lucky I had only good things to say...


10:21 pm Thursday

For late-night quality food and service I can recommend the chips at Nads Fast Food Takeaway, 3 Morledge, Derby, DE1 2AW.

And that's the end of Thursday. To be continued.

Friday, January 14

Some UK street photography dates for your diary

Possibly you know the old saying “You wait ages for a bus, and then you get eaten by a semi-amphibious swamp creature called Derek”.

Well, it so happens that in 2011 Derek is tenuously reincarnated as a strange conjunction of street photography happenings. Namely, two major exhibitions and a street photography festival. The bare basics are sketched out below for your naked enjoyment.

18 February to 4 September 2011
London Street Photography exhibition, Museum of London (with accompanying book/catalogue).

Free entry.
It says: “This major new exhibition at the Museum of London showcases an extraordinary collection of London street photography with over 200 candid images of everyday life in the street. From sepia-toned scenes of horse-drawn cabs taken on bulky tripod-mounted cameras to 21st century Londoners digitally ‘caught on film’, explore how street photography has evolved from 1860 to the present day.”

The 59 photographers featured include Valentine Blanchard, John Thomson, Paul Martin, Horace Nicholls, Wolf Suschitzky, Roger Mayne, Henry Grant, Paul Trevor, Paul Baldesare, Nils Jorgensen, Richard Bram, Stephen McLaren and Nick Turpin. I am very pleased to have a print in this show and the accompanying book.


4 March to 3 April 2011
“Right Here, Right Now” – Exposures from the Public Realm
Format Photography Festival, Derby
It says: “This year’s programme is curated around the theme of street photography. It consists of exhibitions, portfolio reviews, workshops, commissions, screenings, mass participation, talks, photo collectives, publications, a summer school, conference and much more, all focusing on showing new work premiering in the UK, alongside the best established practitioners in the world.”

Highlights include a show of commissioned work from Derby by Bruce Gilden, and an In-Public exhibition and film.

7 to 17 July 2011
London Street Photography Festival
A street photography festival based around the Kings Cross area. More details to follow...

Thursday, January 13

Eighty-two per cent of statistics are made up

Fascinating total web stats for the year 2010

www.paulrussell.info
125 832 unique visits*
287 175 page views

This blog
4876 visits
7829 page views
I bet Blake gets this in a day...

*About the same as 2009
126 174 unique visits
282 005 page views

Monday, January 10

Live from the goat trials - uh


Imagine my surprise to come across this well known photography blogger moonlighting as a judge in The Dorset Show goat competition.

Sunday, January 9

Street Photography Now in the Big Issue (Australia)




I have received some nice spreads of an article about the Street Photography Now book that appeared in the Big Issue in Australia (dated 27 December 2010 to 3 January 2011). Thanks to Jesse Marlow for tracking it down.

The article contains pictures by Mimi Mollica, Matt Stuart, Jesse Marlow, Polly Braden, Arif Asci and me.

Sunday, December 26

Street Photography Now exhibition in Berlin

Forty images from the Thames & Hudson Street Photography Now book are being exhibited now in Berlin until 15 January 2011. The exhibition takes place at CONTRIBUTED - Studio for the Arts at Strausberger Platz 16, 10243 Berlin. More details HERE.

This is the same show that premiered at Third Floor Gallery in Cardiff, and again I am very pleased to be one of the 40 photographers included.


The complete line-up is Christophe Agou, Arif Asci, Narelle Autio, Polly Braden, Bang Byoung-Sang, Maciej Dakowicz, Carolyn Drake, Melanie Einzig, George Georgiou, David Gibson, Bruce Gilden, Thierry Girard, Andrew Z. Glickman, Siegfried Hansen, Markus Hartel, Nils Jorgensen, Richard Kalvar, Martin Kollar, Jens Olof Lasthein, Frederic Lezmi, Jesse Marlow, Jeff Mermelstein, Joel Meyerowitz, Mimi Mollica, Trent Parke, Martin Parr, Gus Powell, Mark Alor Powell, Bruno Quinquet, Paul Russell, Otto Snoek, Matt Stuart, Ying Tang, Nick Turpin, Munem Wasif, Alex Webb, Amani Willett, Michael Wolf, Artem Zhitenev, Wolfgang Zurborn.

I believe that the Street Photography Now book is available to buy at the gallery, but please contact them to check before setting out...

Monday, December 20

The FinePix X100 - the street photographer's digital camera? Part 35.




As a street photographer, I've almost given up waiting for a small, discreet, digital camera with decent controls, and a optical viewfinder that I would be happy using for this sort of photography.

Having used digital compacts extensively I've come to the conclusion that I'm one of those weird people who will never be happy composing photos using an LCD at arm's length. A "proper" viewfinder is important to me.

Over the years, so many digital models have been launched that sounded promising - the Sigma D-something, the Olympus Pen-thing, the Ricoh G-doomidag and so on - but on closer inspection they all appeared lacking in one or more crucial departments.

All I want is a smallish digital camera with a short lens that focuses very quickly using autofocus, or allows me to set a manual focus instantly, and does not go "clack" when I press the shutter. And has an optical viewfinder, not an electronic one, and is not a stupid price like those Leicas. Are those outrageous demands? Certainly the technology is available, so presumably these must be niche demands!

It seems odd that although digital cameras have been readily available for about a decade now, people interested in street photography without the Leica budget are still resorting to using archaic old film cameras like the Olympus XA and the Hexar.

Maybe this Fujifilm FinePix X100 with the small, 35 mm fixed lens and built-in optical viewfinder will be the digital one. Maybe.

More details at the Wirefresh blog

It looks nice, doesn't it? Release date and price are still unconfirmed. The price is meant to be around £1000, I believe.

Friday, December 3

Nacho Santigosa - el viaje






All photographs copyright Nacho Santigosa 2010

Spanish street photographer Nacho Santigosa is currently spending a couple of weeks in England. It's maybe not the best time to be visiting the country (cold and now snow), but it was my great pleasure to meet up with him last weekend, and we had a fun day wandering around Bournemouth. At about 3.30 pm I lost all feeling in my hands, so that seemed liked a good time to stop...

Nacho has been interested in photography for over 20 years, ever since discovering a book of black and white street photography that belonged to his grandfather.

While in England, Nacho is trying out his new toy, the little Panasonic Lumix LX5 with an electronic viewfinder, and I learnt a great deal by watching him at work.

I think his enthusiasm is neatly summed up by this quote from a Flickr interview with "nativ flavaz":

"One day, in Sevilla, in 1997, I was waiting for my girlfriend, hanging around the streets, with my Canon T-90 and a 50 mm f/1.8 FD. Then I saw a boy sitting on the doorstep of his house ... and I shot ... three, four times, I don’t remember; the next two days were hard days waiting to see the results. Finally, the miracle ... that day was the day I was waiting for, the shot I was waiting for..."

See more of his photography here.

Thursday, November 25

The slapdash psychogeographic guide to Bournemouth

Almost every day, I receive an email saying (approximately)

“Paul, forgive me for asking, but could you give me some insight into the deep, dark heart of Bournemouth from your unique perspective as Britain’s leading cartographer of the psychogeographic landscape. I would be willing to pay you money for this. Do you have a Paypal account?”.

I am always humbled to receive these requests, so cast aside your Rough Guide, and let me take you on a voyage of exciting discovery around Bournemouth, my main photographic stomping ground.

I’ve taken so many photos here that I could probably create my own continuous Google street view composite of the whole town. But let’s look at the really important issues, such as where is the best Hungarian cake shop, and where was that Tony Ray-Jones photo taken?

The basics and town centre
The basics: Bournemouth is a large seaside town on the English south coast, popular with tourists, students, retired people, and stag parties.

Bournemouth town centre is pleasant, if slightly bland, and full of the usual high street shops. The town has many language schools, which gives the centre a cosmopolitan feel, with many French, German, Spanish and Italian students.

Unfortunately, the shopping zone seems to be drifting into clone town territory as the few independent shops and restaurants close to make way for chains. At odds with the generally affluent feel of the town, at the edges of the town centre – for example at The Triangle and near Bournemouth train station – there are stretches of recently closed shops. It seems that shops are still closing faster than they are opening...

Bournemouth Arcade in the pedestrianised central bit contains some interesting shops and architecture. The misleadingly named ‘Essentials’ jewellery shop in the arcade is worth a visit to see the stained glass window at the far end. I don’t know the exact history of this... There’s also a Waterstones bookshop in this arcade. Exiting the arcade, crossing the road at the traffic lights, and heading straight ahead brings you onto Westover Road, which has some posh shops and unintentionally hilarious ‘galleries’ for the well off who want something big and tasteless for their walls – these are recommended visits for a laugh

http://www.westovergallery.co.uk/

The horror...

Talking of horror, you are now close to St Peter's Church where Mary Shelley, author of Frankenstein, is buried.

At the very centre of Bournemouth retail zone is a pedestrianized area called The Square, populated by shoppers, skateboarders, and a regular posse of elderly Italian gesticulators. At first glance, The Square seems a strange choice of name as it’s circular (and used to be a roundabout).

At the back of The Square is the round Obscura Café, which opened in 1999, however the titular camera obscura and viewing area upstairs is no longer operational. The Square separates the Central Gardens from the Lower Gardens, which lead down to the sea. The River Bourne flows underneath The Square, and while the name ‘Bournemouth’ might conjure up visions of a hefty river surging to the sea, all that remains of the River Bourne is a trickle.



Going south and following the Lower Gardens along the Bourne Stream brings you to Bournemouth Pier. Going in the other direction from The Square, heading northwards you can follow this narrow corridor of gardens for miles, and it become increasingly less manicured and more wild looking the further you go. Along the way are a water tower and a coy pond. Please consult a map!

If you are looking for more individual, characterful shops and experiences, I can recommend making the effort to visit the suburbs of Westbourne, Boscombe and Southbourne.

Westbourne
Westbourne is a genteel, well-to-do suburb to the west of Bournemouth and is well worth a look during the day. It probably describes itself as a village or something, and a visit is like stepping back to the 1970s, with loads of old-style and off-beat shops – ironmongers, florists, off-licences, ladies hairdressers, a hat shop, a chocolate shop, a vegetarian restaurant (Zoukinis), a decent fish and chip shop (Chez Fred) and an independent bookshop. Westbourne has its own arcade, which is being renovated at the moment, but its shops remain open during the work.

Westbourne’s formerly impressive ‘The Grand’ cinema is now a bingo hall. The Methodist church has recently been converted into a Tesco... It's a bit odd to queue for the self-service machine in front of a stained glass window. This is just one of about 47 Tescos in Bournemouth.

Westbourne also has one of the few ‘traditional’ style pubs in central-ish Bournemouth, the Porterhouse (113 Poole Rd), which is owned by Ringwood breweries.

Like the 1970s, Westbourne is closed on Sundays.

Westbourne is about 10 minutes’ walk from the Triangle. Or more interestingly, you can make your way up from the seaside promenade through Alum Chine (chine = narrow ravine found along coastlines, formed by the action of fast-flowing streams). There are a few chines in Bournemouth – Middle, Branksome and some others – but Alum Chine is definitely the most interesting and atmospheric. Before heading up the chine itself, visit Alum Chine Tropical Gardens to find the site of this Tony Ray-Jones’ picture… Clue: look for the sloping diagonal wall.

Alum Chine is the psychogeographic heart, or focus, of Bournemouth. You will have to trust me on this...

Walking up from the seafront along the steep-sided chine you pass under a scary pedestrian suspension bridge -


– it doesn’t look at all safe to me – and then you come to another two bridges. Stop for a moment to marvel at the root system of the tree behind you surrounding the chair, then turn left at the footpath (then look at a map to go to Westbourne). Going back to those bridges for a moment, the young Winston Churchill fell from the predecessor of one of these bridges and was seriously injured. The site of a former home of Robert Louis Stevenson is also nearby. While on the subject, other famous former Bournemouth residents include J.R.R. Tolkien, Mary Shelley, Max Bygraves and louche Alex out of Blur.

Boscombe
A real contrast to Westbourne… Boscombe is an interesting locale to the east of Bournemouth town centre. Until recently this area did not have – ahem – the best of reputations but there has been a concerted effort to regenerate the area. It contains a rough and ready mix of the run-down, mundane, bizarre and eclectic. Boscombe has its own, basic pier, and much of the regeneration efforts and publicity has focused on the new artificial surf reef next to the pier and the nearby luxury flats. There is also an lively ongoing debate about whether the surf reef actually works...

Commissioned public art is now appearing in Boscombe, and vintage shops are springing up again near the local train station (Pokesdown for Boscombe). Near the pedestrianised centre of Boscombe, which also contains all the familiar high-street names, the splendid old Royal Arcade is worth a visit, as is The Reptilarium, a fish and reptile outlet ideal for that impulse purchase of a 20-foot python or Komodo dragon [check availability].

Data from the Office for National Statistics show that Boscombe has the highest number of dogs in prams in England.

Southbourne
Around the corner from Boscombe, and near Pokesdown station, is the pleasant suburb of Southbourne. The main area of Southbourne is Southbourne Grove, a long, wide shopping street that has some interesting, non-chain shops and many cafes. Shops include a wholefood shop, Earth Foods (75 Southbourne Grove) and the arty crafty Coastal Creatives gift shop/gallery type thing.

Fisherman's Walk Gardens, guarded by many carved cormorants and featuring a bandstand and small pond (as of March 2013 containing many frogs), takes you to the beach at Southbourne.


The Russell-Cotes Museum
This is a very interesting museum, 5 minutes’ walk from Bournemouth Pier. Located on the top of East Cliff, the museum is the legacy of Sir Merton Russell-Cotes, a wealthy resident and former mayor of the town. Russell-Cotes commissioned the building in 1897 as elaborate outhouse to display his collection of art from around the world. The architecture incorporates Moorish, Japanese and French as well as Victorian influences, and is open daily, except Mondays, from 10 am to 5 pm.

Admission was free but for a 3-month pilot period from 5 July to 30 September 2011 there is an admission charge. Also, please note that the museum has recently banned photography inside the museum in a slightly tawdry and embarrassing attempt to flog a few more of their postcards.

Two piers
The Rough Guide to Dorset, Hampshire & the Isle of Wight (published 2010) describes Bournemouth Pier as being ‘stuffed with the usual amusements and arcades’.



This is not really true – outside the entrance there is an amusement arcade, but the pier itself is quite a low-key affair compared with, say, Brighton Pier. In high season there are a few rides and a helter-skelter at the end, but even these disappear in winter. There is a cafe/restaurant (Key West) and a theatre showing old-school entertainment and variety acts such as Syd Little and panto, as well as occasional film and animation festivals. There is no piped music or fast food.

The pier can be quite atmospheric at night but the opening hours seem to be entirely irregular and random, so don’t make plans. Entrance to the pier is 60p when busy, or free when not. Or otherwise.

Heading east, Boscombe Pier is a minimalist affair. Google it to find a load of similar photos facing out to sea with the windbreak in the centre (I have one, of course)!

Grumpy old men pubs, etc.
Bournemouth town centre at night is the usual vomitorium of vertical drinking establishments. In fact, Bournemouth has very few decent pubs. For grumpy old men who want to sit down, read a paper and nurse a half pint of Guinness, I can recommend

The Porterhouse, 113 Poole Rd, Westbourne (see above).

The Goat and Tricycle, West Hill Road, on the outskirts of the town centre, near the Triangle. Probably describes itself as Bournemouth’s best kept secret, or similar.

Daisy O’Briens, 77 Old Christchurch Road, right in the town centre, next to FatFace and the Early Learning Centre. A small, traditional-style pub – a nice regular crowd but its size and location means it can get over-run by rather common people at weekends, etc.

Sixty Million Postcards, 19–21 Exeter Road, centrally located just up a hill from The Square – wacky student drinking venue with chilled vibes, occasional DJs, Facebook page, etc. etc. blah blah. The security guards can be a pain at busy times during the evenings (for example after a search, I was made to leave a bottle of water at the entrance in case it contained booze - what a welcome).

Reef Encounter, 42 Sea Road, Boscombe, BH1 4DW
Stylish modern bar and eating place just up the road from Boscombe Pier. Leffe, outside drinking area, sea kelp moisturiser in the toilets. That sort of thing.

Shops/Snacks/Directory
CENTRAL
Norwegian Wood, Glen Fern Road, Bournemouth BH1 2NA. Central.
Long-running caff-style cafe serving all-day trad and veggie breakfasts. Good service and food. One of few central independent options. Owned in the 1960s by Jimmy Savile, but don't let that put you off...

Cali Cafe, 204 Old Christchurch Road, Bournemouth, BH1 1PD. Central.
Characterful, family-run cafe on this road full of restaurants. "Brazilian & Colombian specialities" as well standard cafe snacks - omelettes, etc.

Rare Books & Posters, 11 Queens Road, Bournemouth, Dorset BH2 6BA – insane, tiny bookshop between the Triangle and Westbourne with books and memorabilia piled to the ceiling. Has to be seen to be believed. Go and buy something.

BOSCOMBE
Love-From-Hetty-&-Dave, 864 Christchurch Road, Boscombe – a new shop near Pokesdown station offering handmade fashion accessories and vintage clothing.

B&J Patisserie, 806 Christchurch Road, Boscombe BH7 6DF. Homemade cakes, coffee, ice-cream and toasted sandwiches from this Hungarian family business near Pokesdown station. Very reasonable prices - my new favourite shop.

The Crooked Book, 725 Christchurch Road, Boscombe – interesting tea-shop cum bookshop with vintage artifacts/nik-naks. Runs literary/arty events and stuff.

What Alice Found, 805 Christchurch Road, Boscombe BH7 6AP. Boutique shop type thing stocking an eclectic mix of clothing, accessories, hats, bags, shoes, lingerie, homeware, bridal attire, collectibles and work by local artists. Across the road from B&J Patisserie.

All photos copyright Paul Russell 2011

Monday, November 15

November print offer - Royal Wedding special

Following on from my show at Housmans bookshop in London, I have a few of these four prints available, at what I believe to be, ahem, very reasonable prices:







Set of all four prints – 9 inches by 6 inches – £20 per set plus postage.
Individual prints – 12 inches by 8 inches – £20 each plus postage.

Please email me on paul.russell99@btinternet.com to express an interest, stating your country location. First come, first served!

Wednesday, November 10

Bournemouth Borders to become a Tesco

The Bournemouth Westbourne Methodist church is currently being converted into some species of Tesco (Metro, Express, etc.), and I noticed the other day that the town centre site vacated by Borders has been acquired by Tesco. I think that is five Tescos in central-ish Bournemouth now.

I hope that Tesco will acknowledge the heritage and history of the premises that they are taking over. Maybe the Tesco in ye olde Borders could have some sofas and tables where we can spend all day handling soft fruit and perishable goods until they become unsellable, thus leading to the slow demise of the supermarket.

Suggestions for the church-related Tesco are welcome.

Friday, October 15

Branding: Gap forced to abandon logo re-design


Retailer Gap Inc. has scrapped its new logo after just a week. There’s branding and there’s branding, and you can get burnt...

Tuesday, October 12

Quiz time

Who issued the following reminders to UK police forces?

"the act of taking a photograph in itself is not usually sufficient to carry out a stop. Unless there is a very good reason, people taking photographs should not be stopped."

(a) John Yates, Assistant Commissioner, Special Operations
(b) Paula Yates
(c) Yates' Wine Lodge

"Officers and community support officers are reminded that we should not be stopping and searching people for taking photos. Unnecessarily restricting photography, whether from the casual tourist or professional, is unacceptable."

(a) Chief Constable Andy Trotter
(b) Derek Trotter
(c) Leon Trotsky

No prizes - it's "just for fun".