Monday, August 8

Street photography from June 2016 - photos from Weymouth, Bridport and London

And now, some of my photos from June this year from Weymouth, Bridport, West Bay and that London.

Clicking on the photos may provoke larger versions or a slideshow, depending on your set-up.

[1, caption: Weymouth, beach, cagoule, seaside]

[2, caption: West Bay, dog in a box, shelter, promenade, seaside, street photography]

[3, caption: West Bay, crash helmets, embrace, wall, seaside]

[4, caption: Weymouth, cycle helmet, crows, beach, seaside street photography]

[5, caption: Bridport, dogs, cone, waiting, car, garage]

[6, caption: Bridport, cows, photography, van]

[7, caption: London, street photography, busker, cone, embrace]

[8, caption: umbrella, Oxford Street, street photography]

[9, caption: Great Newport Street, Cliff Richard, newspaper, steps]

Saturday, August 6

Photos from my Brighton Street Photography Walk/Workshop on 14 May

And here's a sampling of photos from participants on the street photography walk/workshop I held in Brighton earlier this year.

Angelo Gifford (I don't think anyone else encountered this character, which is odd as we didn't stray too far from each other)

Adrian Turner, who has a blog at www.onceperday.co.uk and was kind enough to give me a copy of his book Commonplace

Sam Gozna

Martin Smith

Angelo Gifford

Adrian Turner

Martin Smith

Angelo Gifford

Adrian Turner (I think everyone took a photo of her)

Adrian Turner

Postscript
I carried out the day as a sort of experiment, as I've been asked to do a few workshops in the past by organisations and conferences. (I've said "no", partly because once the organisers have taken their 50%, it seems like quite a costly day for participants.) In particular, I concentrated on some techniques I use for kickstarting inspiration and overcoming "photographers block".

I thought it went quite well, although I could immediately see how a future session could be improved by having more clearly specified goals. Also, due to circumstances beyond my control, I was severely sleep deprived on a day when I really needed my wits about me... But the other two uncontrollable variables - travel and weather - were on our side, so I can't really complain.

I would be interested in doing this again - but somewhere closer to my home in Weymouth, especially as the daytrip commute of 8 hours to Brighton (on a good day) is not feasible in the current climate of Southern Trains chaos.

Saturday, July 30

Street photography from May 2016 - Brighton, Bath, Bournemouth and Bridport

This month I only travelled to places beginning with B - Brighton, Bath, Bournemouth and Bridport. I sneaked in a few from my home turf of Weymouth, of course. (There are also Weymouth Kite Festival and Brit Valley dog show photos that I need to go through properly.)

Clicking on the photos may provoke larger versions/a slideshow, depending on your set-up.

[no. 1, caption: Brighton bus stop, street photography, Magic Wigglee type thing]

[no. 2, caption: Bath, LOL, WTF, knees, teens]

[no. 3, caption: Bath, waiting room, mirror, Las Meninas goes wrong]

[no. 4, caption: Bath, tourists, Sally Lunn's, bus, street photography, rain]

[no. 5, caption: Bath, spring onions, tree, station]

[no. 6, caption: Weymouth, seagull, seaside, beach]

[no. 7, caption: Weymouth, legs, seaside, pipe, tube]

[no. 8, caption: Weymouth, crazy golf, beach, seaside, street photography]

[no. 9, caption: Bournemouth, cones, promenade]

[no. 10, caption: Bridport, West Bay, dog show]

[no. 11, caption: Bridport, West Bay, dog show, judging]

Next up - photos from participants in the Brighton Street Photo Workshop that I ran in May...

Sunday, July 10

Zone focusing – a useful technique. A guide for the Fujifilm X100 and beyond…

Zone focusing is a useful technique for manual focus cameras, and for cameras with a slow autofocus. It involves setting the focus to a certain distance and then relying on depth of field (the zone) so that everything that you want to be in focus will then be sharp, or sharpish, in your photos.

It was the method relied on by old masters like Cartier-Bresson, who didn’t have autofocus cameras.* It’s useful for wide-angle lenses, as they naturally have a big depth of field.

I use zone focusing for street photography on my Fujifilm X100 because the autofocus isn’t really fast enough for many situations where you need the camera to focus instantly. Using the manual focus mode (switch on the side set to MF) and setting the focus distance to about 11 ft, I know that at f/8 the focus will be good from 6 feet to almost infinity. In manual focus mode on the camera, you don’t have to wait for the camera to focus - it’s instant.

How to do it
With the X100, you set the focus distance to about 11 ft by referring to the focus distance scale that you can display in the viewfinder and LCD screen. (You might have to play around with customising the views so you can see this.) The focus distance is altered by turning the front ring on the lens. You will see that the focus distance scale appears to show depth of field but for some reason (on the X100 at least) it is hopelessly conservative – you will get much more in focus than it tells you. The focus distance indication is accurate though.

Depth of field calculator
Those are the settings (f/8 and 11 ft) that I usually use. You can play around with the values here (depth of field calculator) to see how they alter the depth of field:
http://www.dofmaster.com/dofjs.html
As it says on this site, you need to enter the actual focal length of the lens, not the 35mm equivalent (for the X100, the focal length of the lens is 23mm, so this is the value you use here). I believe that there is a phone app also on this site, although I have never used it.

So, once you have set your camera to about 11 ft, f/8, you then set the ISO to a value that will consistently give you a fast enough shutter speed (1/500th second will cover most things).

Obviously, if you are a Bruce Gilden type, you will want the focus distance to be a bit closer than 11 ft so your zone of focus might stretch to as close as a couple of foot!

Unfortunately, on the X100 ( probably the X100S/T also) you cannot use the Auto ISO function (ISO Auto Control in the menu) to give you an appropriate ISO, as it only gives you the option of setting a minimum shutter speed of 1/125th second, when you will usually want a faster one than that. Big oversight by Fujifilm.

Pedantic bit
Zone focusing is using depth of field to get things in focus. Using the hyperfocal distance is a type of zone focusing where you set the focus distance so that the zone of focus stretches from a near point to infinity (and not beyond - if you can imagine beyond infinity - going beyond infinity would be a waste of your zone of focus).

Some people use the terms zone focusing and hyperfocal focusing as if they are the same thing – not correct – hyperfocal focusing is a type (subset) of zone focusing. For zone focusing, the zone of focus does not necessarily stretch as far as infinity. For example, a scene in focus from 6 ft to 100 ft would be more than ample for most of my urban street photography, and you are using zone focusing in this case but you are not using the hyperfocal distance/focusing, as by definition that means the focus would stretch to infinity.

Useful bit
On the X100, when you are in manual focus mode, you can use the AFL/AEL button to set the focus distance. So, I usually have the focus distance set at 11 ft, but if I suddenly want to focus on someone’s feet right in front of me, I point the camera at the spot and hit the button. Of course, you can quickly get the focus back to 11 ft by pointing it at an object about 11 ft away and fine-tuning by turning the lens focus ring.

A photo. If I'd relied on the X100's autofocus on this one, the lamp would have been out of the frame...

*It was trickier for Cartier-Bresson as he didn’t have the benefit of film as fast as the ISOs we can use today on our digital cameras – we can often use 2000 ISO in low light, if need be, so that we can use an appropriate shutter speed. That’s why so many of Cartier-Bressson’s photos are not sharp – he had to use a too-slow shutter speed – the sad loser.

Thursday, June 30

Single street photography prints for sale

I currently have a single print available for these five images. Paper size is 15 by 10 inches and prices are £15 UK, £19 rest of the world, including postage! I can recommend the candyfloss one - it's the first time I've had a print made of this one, and I'm pleased with the results. Prints are dispatched in a sturdy poster tube.

Edit (10 July) - only the queue and crows are left now...

Email me on paul@paulrussell.info

SOLD

SOLD

SOLD

Monday, June 27

Brexit referendum special - Boris Johnson, Nigel Farage and Flags

It seems that the UK is no longer a member of the EU. Here's some Brexit-related thoughts...

(Clicking on the photos will bring up larger versions or a slideshow, depending on your set-up.)

[caption: Eastleigh by-election 2013, Brexit, UKIP, dog, press, photographers]

[caption: Eastleigh by-election 2013, Brexit, UK, Boris Johnson, Nigel Farage, Elvis, Elvis Loves Pets]

[caption: Eastleigh by-election 2013, Brexit, handshake, photographing, Nigel Farage]

[caption: Eastleigh by-election 2013, Brexit, handshake, Nigel Farage]

[caption: Punch and Judy, Weymouth, flag, union jack]

Friday, June 24

"Zippy Man" photo featured in Die Zeit

My "Zippy Man" photo is featured on page 19 of the current issue of the German newspaper Die Zeit, dated 23 June 2016 (with an "estimated readership of slightly above 2 million, it is the most widely read German weekly newspaper" - Wikipedia).

The Zippy Man photo was taken in Bournemouth back in 2004, but has recently started to resemble Boris Johnson in my eyes.

As always, prints of the Zippy Man/Boris Johnson photo, along with 11 other well-known images can be bought from here